Ann Dvorak, Flower Girl
Year of Ann Dvorak: Day 42
I probably have around 100 original photos of Ann Dvorak as a chorus girl at MGM, including a handful of solo shots. This is one of the more unusual ones and is from the short Flower Garden. I have never actually seen the film, so I have no idea what is going on, though it looks like she is dressed up like a flower. What’s amazing is that despite the make-up and goofy headdress, it’s clearly Ann. She was 18 or 19 when this was made, and a mere year later, she would be starring in Scarface.
A Candid Ann Dvorak Moment
Year of Ann Dvorak: Day 41
I usually don’t post videos from YouTube here, because the clips tend to get pulled from the site. However, I’m going to give it another shot with this compilation of the best of the Warner Bros. blooper reels.
If I am not mistaken, Warner would put together these reels at the end of the year and show them at an event, like a holiday party. This particular video has selected choice moments over multiple years and includes Bette Davis, James Cagney, Carole Lombard, Errol Flynn – and Ann Dvorak.
At 00:28 into the clip, you’ll see Paul Muni flub a line in Dr. Socrates which cracks Ann up. It’s just a couple of seconds long, but there’s something sweet about her reaction, and there appears to be a genuine affection between Ann and her former Scarface co-star. As far as I know, this is the only Ann clip that popped up on any of these reels. Even though there’s just a couple of seconds of Ann, it’s worth watching the whole thing. Yes, people really did swear in real life during the reign of Joseph Breen!
Special thanks to Ann-D fan, Scott, who reminded me of this special clip!
Biography Progress Report #12: The Ann Dvorak Book is Done!
Year of Ann Dvorak: Day 40
With great pleasure, I am happy to report that the final manuscript of the Ann Dvorak biography has been completed and sent off to the University Press of Kentucky for publication!
I have to admit, I am proud of how it turned out, especially considering that Ann did not leave much of herself behind, besides her film performances. If I can brag for just a moment, the second “Reader” who was employed by Kentucky to asses the manuscript stated, “I must say upfront that this is one of the best-written show-business biographies I have ever read.” Well, that was a huge relief and I hope many others will agree.
Unfortunately, this final submission did not go off without a horrid hitch. Two weeks ago, the niece of Ann’s third husband, Nick Wade, sent some snapshots of Ann & Nick in Hawaii in the 1970s. The photos were traveling via USPS from Long Beach to North Hollywood, but have yet to arrive. I’m pretty sure Kentucky will let me add them after the fact, IF they show up, but I really think they’re gone. Just heartbreaking, especially considering I have never seen a photo of Nick. In all the years I have been purchasing photos online, there were two other times that packages got lost and both contained candid Ann photos. I’m cursed!
But, back to the more cheerful news. I have been working on Ann’s story 15 years, and now it’s done. Kind of. There’s still the proofing of copy-edits & galleys, along with indexing (yes, I get to create the index) and a few other steps, so we’re still a ways off, but we’re getting there!
Thanks again to everyone who has stuck with me these many long years. A book on Ann Dvorak is really just around the corner!
Guest Blogger Daniel Nauman on “A Woman Like Ann”
Year of Ann Dvorak: Day 39
I am in the final stages of preparing the manuscript to submit to University Press of Kentucky. I have been contending with corrupted computer files and lost photos in the mail (weepy post on those to come soon), so I was extremely grateful to today’s gust blogger, Daniel Nauman, for a couple of reasons; 1) for taking care of today’s post, so I can concentrate on getting the damn thing done, and 2) for referring to me as a Bettie Page lookalike. I haven’t heard that since pregnancy and thyroid cancer wreaked havoc on my body, so you’re a saint in my eyes Daniel!
I am also thankful to Daniel for making my job extra super easy by uploading his Ann Dvorak post to his own blog, The Strange Loves of Daniel Nauman. So, if ya don’t mind, I am now gonna send you on over to Daniel’s site, as he talks about what the Divine Miss D means to him.
To wrap things up, here’s a bit about Daniel in his own words:
I’m an artist once and a writer now in the wilds of the Mother Lode. Interests include all Californiana—especially roads and radio—and my Rosa giganteas at our Rancho Notorious. I have about a half dozen novels overloading my mental hard drive—and I’m exploring daily observances, my past and the spirits of the past untold in my new blog The Strange Loves of Daniel Nauman.
Thanks again Daniel!
Guest Blogger Paul Petro Presents Original Ann Dvorak Art
Year of Ann Dvorak: Day 38

I am really jazzed by today’s guest blogger submission. You may recognize Paul Petro as “artman2112,” who is a frequent contributor to the comments sections on this site. When he told me he was planning on turning in a guest post, I was fully expecting something about Bright Lights, which costars his personal favorite, Patricia Ellis. Instead, he sent along this gorgeous portrait of Ann which is “grahpite and white pastel pencil on approx 13″ x 17″ tinted canson paper.” Mind you, this was not a piece he had laying around from a couple years back, but something he created over the past two days specifically for The Year of Ann Dvorak. This is exactly why I love the idea guest bloggers, because you never know what they’re going to come up with. (I also need to credit frequent commenter DickP with coming up with the guest blogger idea.) It’s also a credit to Ann that she can inspire such devotion in a few of us die-hard fans.
If you want to check out more of Paul’s work, take a look at his website. If you’re interested in being a guest blogger sometime in the next few months, please let me know. Now, here’s a bit more about Paul in his own words:
I’m a 45 year old self taught artist living the quiet life in Vermont. I make pictures with pencils, plain or colored. I like to draw women. When i’m not drawing i like to play guitar, make things out of wood, watch old movies, lift weights, pet my little kitty, and eat -especially Italian food, a good steak, chocolate cake, cheesecake or ice cream.
I collect vintage movie paperware and classic movie star autographs and have them hung all over my house along with prints from my fave artists and my own work too of course. i love books. i love old cars, especially the American muscle cars of the 1960’s. I stay up too late, always over sleep and i’m always hungry.
Thanks again, Paul!
This Day in Ann Dvorak History: Howard Hughes Holds Onto Ann
Year of Ann Dvorak: Day 37
In August of 1931, Ann Dvorak signed a long-term contract with Howard Hughes’ Caddo Company. This pretty much meant that she would be employed by them for a certain number of years, granted they didn’t drop her, but exercised the many options that came up. After strong performances in the Caddo-produced Scarface and Sky Devils, Hughes decided to hang onto Ann by extending her option by three months on February 6, 1932, along with giving her a modest bump in pay to $250 per week. By this time, Hughes had already launched into an exclusive loan-out deal with Warner Bros. that soon became permanent. Ann would not make another film for the Caddo Company.
This Day in Ann Dvorak History: Warner Bros. Licenses “Gold Digger Lady”
Year of Ann Dvorak: Day 36

My single favorite Ann Dvorak scene comes early on in The Strange Love of Molly Louvain. Lower-class Molly (Ann) has just been jilted by her well-to-do beau and is drowning out her sorrows in Leslie Fenton’s hotel. She’s depressed, drunk, and belting out a scat version of “Penthouse Serenade” while tickling the ivories. I actually posted a You Tube clip of the scene a few years back, but unfortunately it got pulled at some point.
The scene ends with Ann singing a playing a little ditty you probably never heard of called “Gold Digger Lady.” Ann penned the song herself and because it appeared in the film, they needed to get her official permission to use it and did so with an agreement drawn up on this date in 1932. I don’t believe she actually got any extra compensation for this and I don’t know if she slipped it in the film without their initial knowledge. Either way, it’s a great cap to a great scene in a decent pre-Code film.
Guest Blogger Mary Mallory on Ann Dvorak & Myron Selznick
Year of Ann Dvorak: Day 35
Actor William Powell with agent Myron Selznick (Image from Corbis)
Today I bring you the first post from a guest blogger. What? You didn’t seriously think I was going to be able to keep this up EVERY day for a year, did you?
Guest Blogger #1 is Mary Mallory, a writer and film historian. She wrote the Arcadia Publishing book “Hollywoodland” in 2011 and blogs for the LA Daily Mirror on Los Angeles and motion picture history. Mallory serves on the board of Hollywood Heritage and on the Cultural Affairs Committee of the Studio City Neighborhood Council.
Just to set-up Mary’s post: When Ann returned from her eight-month European honeymoon in March of 1933, which Warner Bros. did not approve of, she needed someone to smooth things over while still getting her a decent contract deal. Myron Selznick was the man she turned to.
Now, here’s Mary:
Ann Dvorak made the leap from chorus girl to star in 1932 with her appearance in Sky Devils, cemented by her electrifying turn in Scarface. Being a star required having a strong agent to look after your interests, both regarding salary and casting.
Dvorak found that in Myron Selznick, a tough, savvy former producer and studio executive. Selznick, the older brother of David O. Selznick, represented such Warner Bros. stars as Ruth Chatterton, Kay Francis, Constance Bennett, and William Powell. With his production background and take no prisoners attitude, Selznick was the perfect person to have in your corner, as long as you followed his rules.
Myron Selznick made the talent agent the ultimate power in Hollywood. He was the first to gain his clients the right to participate in choosing scripts and co-stars, as well as the first to package talent, gain profit participation for above the line people, and set stars up in independent production companies.
There was only so much an agent could do, however, if a client failed to follow instructions and obey general studio strictures or leave contract matters to the agency.
Selznick liked women with spunk, women with strong minds and opinions, but ones who knew how to make strategic moves. Ann’s impetuousness sank her prospects at Warner’s, something even an agent as powerful as Selznick could do little to rectify.
Much appreciation to Mary for the excellent post and for stepping up as the first Guest Blogger. Also, for giving me the day off!
If anyone else out there is interested in contributing to the Year of Ann Dvorak, please let me know! My only requirements are that it somehow relates to Ann, reflects the personality of the author (Mary Mallory has been researching Selznick for years), and is fun for the author to do! After spouting off my opinions on Ann Dvorak for years, it’s great to hear other people’s perspectives.
Happy Super Bowl Sunday!
Year of Ann Dvorak: Day 34
In all honesty, I am not a sports fan and everything I know about football (which isn’t much) comes from watching five seasons of Friday Night Lights. I didn’t even know it was Super Bowl weekend until I overheard some co-workers talking about it yesterday. That said, since today is the big game and I happen to own two lobby cards featuring Ann Dvorak AND a football, could there be a more perfect time to post these beauties from College Coach?
Enjoy the game (if that’s your thing)! I will be busy with Sunday brunch and a trip to the Griffith Park pony rides with my little one.
Collection Spotlight: “Three on a Match” Lobby Card
Year of Ann Dvorak: Day 33
This Three on a Match lobby card is one of the best pieces in my Ann Dvorak collection. It’s the only card I have from the film, which is my favorite Dvorak title. I won it in an eBay auction 11 or 12 years ago and paid around $110 which seemed extravagant at a time when I was a starving grad school student. The photo of this card was taken with the first digital camera I ever owned, which is why the quality isn’t great. There’s another card of Ann laying on the pavement after jumping out a building that I hope will one day join my collection and keep this card company. Until then, I will continue to marvel that I own a lobby card from Three on a Match.
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