Ann Dvorak’s Los Angeles Pt 7: 6128 Wilshire Blvd.
Year of Ann Dvorak: Day 252
If you look beyond the No. 1 Furniture Group and Chiropractic Group offices at 6128 Wilshire Blvd, you’ll see a thirty unit apartment building. This is where a teenaged Ann Dvorak was living with her mother and stepfather, Anna Lehr and Arthur Pearson, in 1929. This is where Ann would have been residing when she made the trek down to the MGM Studios to appear as a chorus girl in Hollywood Revue of 1929.
A couple of years ago, a patron came into the library doing research on this building, specifically about Lane’s Cocktails which occupied one of the storefronts in the 1960s. When she gave me the address and said she was looking for information about the building, I responded, “Oh, that’s where Ann Dvorak lived when she first started as a chorine at MGM.” I’m fairly certain I am the only librarian on the face of the planet who could have answered with that.
Ann Dvorak’s Los Angeles Pt.6 – Metro Goldwyn Mayer Studios, 10202 W. Washington Blvd., Culver City
Year of Ann Dvorak: Day 251
Ann Dvorak is usually associated with Warner Bros., the studio she was under contract to, and warred with, from 1932-1936. However, the first studio to sign a deal with Ann was Metro Goldwyn Mayer.
Ann was an unfashionable, but spunky teenager when she showed up at MGM’s fabled studio gates, hoping to land a gig in the chorus for The Hollywood Revue of 1929. She made the line-up by the skin of her teeth and was eventually offered a contract as a dancer and assistant choreographer.
Chorine wasn’t a long-term career plan for Ann and when she was still getting cast in uncredited dancer or extra parts two years later, she ceased being enchanted with the studio that boasted, “more stars than in the heavens.”
She eventually left to make a little film called Scarface, but did return to Culver City a handful of times as a freelancer.
The massive MGM backlot is a thing of the past (check out this book if that’s of interest), and the water tower now reads Sony, but the studio that Ann set foot on countless times and its gates are still there, and always give me a cheap thrill every time I drive by them.
Calendar Now Available For Your Ann Dvorak Event Planning
Year of Ann Dvorak: Day 250
I have added a calendar to the site which will hopefully be chalked full of events promoting Ann Dvorak: Hollywood’s Forgotten Rebel.Â
There’s a link to the event calendar on the sidebar under “Pages” and the bottom of the sidebar will list upcoming events. There’s also an option to subscribe to the calendar if you’re paranoid you might miss out on something.
Right now, I just have the book release and the launch party listed, but there are more L.A. events to be posted soon. I am also hoping the calendar will soon list 2014 appearances in Chicago, Boston, and Pittsburgh, but those are still in the works.
If the Dvorak loyal will find it useful, I can also list upcoming airings of her films on TCM. Let me know if that’s of interest.
We’re officially at less than two months until D(vorak)-Day, so let the event planning begin!
This Day in Ann Dvorak History: Begins Production on “College Coach”
Year of Ann Dvorak: Day 249
When Ann Dvorak returned from her extended honeymoon abroad in March of 1933, she made amends with Warner Bros., signed a new contract with them, and was ready to get in front of the cameras again. Instead, she waited…and waited.
Towards the end of the summer, the studio loaned Ann out to Paramount for The Way to Love, co-starring Maurice Chevalier. Then, they let her wait a while longer. Finally, they cast her as the leading lady in College Coach opposite Pat O’Brien and Lyle Talbot. Ann began production on September 6, 1933, and while the role was small and uneventful, at least she was working again.
“A Life of Her Own” on TCM
Year of Ann Dvorak: Day 248
A Life of Her Own is going to air on Turner Classic Movies on Friday, September 6, at 8:30am PST.
Ann Dvorak’s Los Angeles Pt. 5 – Page School For Girls, 4511 N. Pasadena (Figueroa) Ave.
Year of Ann Dvorak: Day 247
Ann Dvorak may have started her Los Angeles education at the Elliott School, but she ultimately ended up at the Page School For Girls in the Highland Park neighborhood. This is from where she graduated around 1927 or 1928. After Ann became a known actress, she visited her alma mater on at least one occasion.
Like the Elliot School, Page was a converted Victorian home that served as a boarding school. Â The school, who advertised it would prepare its students for “useful womanhood” was started by sisters Emma & Della Page. Della later broke off to start the companion Page Military Academy which served the young male population. There are still Page private schools in existence which are offshoots of the military academy and operated by the descendants of Della Page. Unfortunately, they do not have any records from the girls school.
I have never been able to find a photo of the Page School, which drives me nuts. The above photo, taken by one-time Disney engineer Herman Schultheis is especially maddening. While taking this shot, he was standing at the lower lefthand corner of the above map. Had he just turned around he could have gotten some photos of the school! This image is in the photo archive I oversee, so Herman definitely did not turn his camera behind him.
While this stretch of Pasadena Ave (actually, it’s now Figueroa) maintains many remnants of its long history, the site Page School For Girls is now a rather unsightly shopping center.
This Day in Ann Dvorak History: Loaned to RKO for “Racing Lady”
Year of Ann Dvorak: Day 246
On September 3, 1936, Warner Bros. and RKO Pictures reached an agreement for Ann Dvorak to be loaned out to the latter for All Scarlett, which was ultimately released as Racing Lady. Ann had not made a film for Warners for a year, and actress and studio had spent the first half of 1936 embroiled in litigation over the terms of her contract. The only thing they seemed to have agreed on was Ann making movies for RKO – this was her second visit in less than two months, the first being for We Who Are About to Die.  For her services, RKO handed $3,000 a week to Warner Bros., half of which covered Ann’s weekly salary.
Ann was probably relieved to have the steady work, and to not have it be at the studio she’d been warring with. She didn’t need to worry too much – her days at Warner Bros. were numbered.
Happy Labor Day!
Year of Ann Dvorak: Day 245
In honor of today’s holiday, here is a photo of Ann Dvorak and Leslie Fenton hard at work on their Van Nuys ranch in 1933.
Even though Ann & Leslie joined the Screen Actors Guild pretty early on, I don’t have a sense of how strongly they supported the union. As far as I can tell, they were not active or vocal members and they even withdrew their membership for a time, something that was almost unheard of, according to SAG’s archivist. They eventually rejoined, which was a decision that would serve Ann well in her post-retirement years.
Fun in the Sun – Ann Dvorak in Malibu
Year of Ann Dvorak: Day 244
It’s so hot in Los Angeles this week that it was 90 degrees in the Valley last night at 9:00pm. I think we should all follow Ann’s lead in the 1947 photo and hang out in Malibu – with a giant bucket.
Hope you’re all having a marvelous holiday weekend!
Biography Progress Report #29 – The Blurbs Are In
Year of Ann Dvorak: Day 243
I was visiting the listing for Ann Dvorak: Hollywood’s Forgotten Rebel on the University Press of Kentucky’s website yesterday (yes, I do that), and noticed that a couple more blurbs had been posted. They’re from two of four authors I had submitted earlier in the year who had received a copy of the manuscript about a month ago.
I am enormously grateful to these busy people for taking the time to read the book and write a blurb. I may have been cheating a bit with Mark Vieira who has been a friend for years, but I do admire him tremendously as an author and think his book Irving Thalberg: Boy Wonder to Producer Prince is one of the best Hollywood bios out there. If anyone can spot a pile of tripe, it’s Mark, so if the Dvorak book is not up to snuff I’d like to think he would not have sent in this blurb:
Ann Dvorak has always been an enigmatic figure, whether you’re looking at her electric vitality in the 1932 Scarface or her feline grace in 1947’s The Private Affairs of Bel Ami. Fifteen years separate these unique performances, and there’s no one like Ann Dvorak, yet the story of her career remains untold. In Ann Dvorak: Hollywood’s Forgotten Rebel, Christina Rice corrects this oversight. We learn about the ambitious young dancer, how her unusual looks and singular intensity pulled her into acting, and how her path to stardom ended in regretful obscurity. This is a compelling story, sometimes exhilarating, sometimes sad, but Christina Rice tells it honestly and objectively. Her dedicated research makes it possible to see both Ann Dvorak and her milieu with clarity. Ann Dvorak: Hollywood’s Forgotten Rebel is a sensitive biography of a real talent.–Mark A. Vieira, author of George Hurrell’s Hollywood
Susan Doll is not someone I know personally, other than a couple of email exchanges, but I enjoy her posts on TCM’s Movie Morlocks immensely. Plus, she holds a Ph.D. in film studies, so her opinion carries a lot of weight with me.  I was relived to see what she had to say:
Ann Dvorak: Hollywood’s Forgotten Rebel is more than the biography of an overlooked movie star. Author Christina Rice has meticulously researched the life of Dvorak, whose strong, self-reliant characters made her an important presence in the pre-Code era. Written in a reader-friendly style, Ann Dvorak explores the highs and lows of the actress who dazzled viewers in the classics Scarface and Three on a Match. –Susan Doll, author of Florida on Film: The Essential Guide to Sunshine State Cinema
So, my baby is officially out in the world and so far the response has been positive. Fingers crossed it passes the litmus test with all of you.


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