“Three on a Match” Revisited
Year of Ann Dvorak: Day 346
As some of you may already know, Three on a Match was the film that introduced me to Ann Dvorak back in the mid 1990s and got me started on this crazy journey. Since that first viewing, I have watched the film countless times, though I had never seen it on a big screen with an audience. This past weekend, I screened Three on a Match at Central Library where I work and preceded it with a brief lecture on pre-Code cinema. First off, I was happy to have around 50 people show up, which was pretty good considering it was a rare rainy day in Los Angeles which usually sends residents cowering inside (present company included). We even sold a few books after!
Of all the times I have watched this film in the past 18 or so years, I had never been moved to tears by it. Sure, I had always been blown away by Ann’s performance, but it never actually made me cry. That changed on Saturday and I was surprised to find myself choking back the tears during the movie’s climatic scenes. After the film ended, it dawned on me that this was the first time I had watched it since becoming a mother. I don’t know if that’s why Ann’s final scenes with her young child got to me, or if it were that much more dramatic watching it on a big screen. Either way, the fact remains that Three on a Match is a damn fine movie with one hell of a performance from Ann Dvorak.
The other thing I noticed while watching it is that a lot of scenes were ultimately cut from it. The above photo of Ann and Lyle Talbot which I recently purchased is from a scene in the film that is no where to be found. I have a couple of other Three on a Match stills from cut scenes and have seen a couple others in various places over the years. Talk about lost footage I would love to see!