{"id":58,"date":"2008-07-15T17:48:08","date_gmt":"2008-07-16T01:48:08","guid":{"rendered":"https:\/\/www.anndvorak.com\/cms\/?p=58"},"modified":"2008-07-15T17:48:08","modified_gmt":"2008-07-16T01:48:08","slug":"ann-dvorak-performs-you-bother-me-an-awful-lot","status":"publish","type":"post","link":"https:\/\/www.anndvorak.com\/cms\/ann-dvorak-performs-you-bother-me-an-awful-lot\/","title":{"rendered":"Ann Dvorak Performs &#8220;You Bother Me an Awful Lot&#8221;"},"content":{"rendered":"<p><object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"425\" height=\"344\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/-nYT1crzn-I&amp;hl=en&amp;fs=1\" \/><embed type=\"application\/x-shockwave-flash\" width=\"425\" height=\"344\" src=\"http:\/\/www.youtube.com\/v\/-nYT1crzn-I&amp;hl=en&amp;fs=1\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n<p><a href=\"&lt;object width=\\&quot;425\\&quot; height=\\&quot;344\\&quot;&gt;&lt;param name=\\&quot;movie\\&quot; value=\\&quot;http:\/\/www.youtube.com\/v\/-nYT1crzn-I&amp;hl=en&amp;fs=1\\&quot;&gt;&lt;\/param&gt;&lt;param name=\\&quot;allowFullScreen\\&quot; value=\\&quot;true\\&quot;&gt;&lt;\/param&gt;&lt;embed src=&quot;\\&quot; mce_src=&quot;\\&quot;&quot;http:\/\/www.youtube.com\/v\/-nYT1crzn-I&amp;hl=en&amp;fs=1\\&quot; type=\\&quot;application\/x-shockwave-flash\\&quot; allowfullscreen=\\&quot;true\\&quot; width=\\&quot;425\\&quot; height=\\&quot;344\\&quot;&gt;&lt;\/embed&gt;&lt;\/object&gt;\"><br \/>\n<\/a><\/p>\n<p>Even though Ann Dvorak got her start in the movies as a chorine\/assistant choreographer at MGM, she seldom got the chance to showcase these talents once she became a leading actress. Warner Bros did not cast her in any of those early thirties musicals featuring elaborate Busby Berkeley numbers, and when she did work with Berkeley in 1935 on <a title=\"Bright Lights images\" href=\"https:\/\/www.anndvorak.com\/cms\/Filmography\/?directory=Bright%20Lights%20(1935)\"><strong>Bright Lights<\/strong><\/a>, her dance time was limited. She got to do a bit of hoofing in <a title=\"Sweet Music Images\" href=\"https:\/\/www.anndvorak.com\/cms\/Filmography\/?directory=Sweet%20Music%20(1935)\"><strong>Sweet Music<\/strong><\/a> and <a title=\"Thanks a Million images\" href=\"https:\/\/www.anndvorak.com\/cms\/Filmography\/?directory=Thanks%20a%20Million%20(1935)\"><strong>Thanks a Million<\/strong><\/a>, but her most memorable musical number is probably &#8220;You Bother Me an Awful Lot&#8221; from 1935&#8217;s <a title=\"G Men images\" href=\"https:\/\/www.anndvorak.com\/cms\/Filmography\/?directory=G-Men%20(1935)\"><strong>G Men<\/strong><\/a>.<\/p>\n<p>&#8220;You Bother Me an Awful Lot&#8221; is a fun number with all the girls tossing around some sort of lightweight ball. While Ann is certainly no Ginger Rogers, she is giving it her all and seems to be enjoying herself. Ann and James Cagney are great together, and I know have said it before but it&#8217;s really too bad they only made two films together.<\/p>\n<p>Interestingly, producer Hal Wallis did not approve of the production design in this scene. Although he thought the night club should have less class and more grit and did not view the musical number favorably, the club scenes stayed in the film as originally shot. The chorus girl outfits with the stratigically placed tassels would be recycled a couple of months later when <strong><a title=\"Bright Lights images\" href=\"https:\/\/www.anndvorak.com\/cms\/Filmography\/?directory=Bright%20Lights%20(1935)\">Bright Lights<\/a> <\/strong>was filmed.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Even though Ann Dvorak got her start in the movies as a chorine\/assistant choreographer at MGM, she seldom got the chance to showcase these talents once she became a leading actress. Warner Bros did not cast her in any of those early thirties musicals featuring elaborate Busby Berkeley numbers, and when she did work with [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-58","post","type-post","status-publish","format-standard","hentry","category-film-clips"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"Even though Ann Dvorak got her start in the movies as a chorine\/assistant choreographer at MGM, she seldom got the chance to showcase these talents once she became a leading actress. 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