![\"\"](\"https:\/\/www.anndvorak.com\/cms\/Filmography\/Private%20Affairs%20of%20Bel%20Ami%20(1947)\/BelAmi5.jpg\")
<\/a><\/p>\nYesterday, I complied a list of my top five favorite Ann Dvorak films. However, after coming up with my titles, I realized they were all from the pre-Code era. Not wanting to ignore Ann’s later work, I have put together, in no particular order, some recommendations for her post pre-Code period.
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Blind Alley<\/h4>\n
This 1939 Columbia flick is one of the three Ann made with the studio at that time. Based on a play by James Warwick, this psychological drama had a hell of time getting past the censors and onto the screen. Ultimately, it’s a watered-down version of the source material, but still enjoyable. Ann looks stunning, after appearing less than glamorous in a couple of Republic films, and this is one of the few times she gets to play a bad girl. I’ve watched this one a few times, and cannot get enough of Ralph Bellamy screwing with Chester Morris’ id.<\/p>\n Available on DVD.<\/a><\/p>\n <\/p>\n This is another one of Ann’s Columbia films and I love it, and have watched it many times. I wrote about it before, and am going to steal from myself at this time:<\/p>\n It has everything one would expect from a movie called Girls of the Road<\/strong><\/a>. Yes, there\u00e2\u20ac\u2122s girls and they\u00e2\u20ac\u2122re on the road. They\u00e2\u20ac\u2122re angry, distrustful, and hard. They get thrown in jail, turn on each other, and sometimes make bad decisions like spending money on a wedding gown instead of a train ticket out west. Lola Lane is a hard-ass, Helen Mack is weary but hopeful, and Ann Doran is kind of a hag. Ann Dvorak is their savior as the governor\u00e2\u20ac\u2122s daughter who sets out to understand the plight of the female hobo by pretending to be one of them. She hits the road in a sparkling white overcoat and it\u00e2\u20ac\u2122s downhill from there.<\/p>\n Sadly, NOT available on DVD.<\/p>\n This is the first film Ann made after returning from three years in England during the War. Unlike her first two outings with Republic in Manhattan Merry-Go-Round and Gangs of New York, she really got the star treatment in this one. With elaborate costumes and a few full-blown musical numbers, Ann shines as “Flaxen” Tarry opposite John Wayne and Joseph Schildkraut. This may not have been the most notable film for Republic or the Duke, but it’s a major role for Ann and includes a respectable recreation of the 1906 San Francisco Earthquake.<\/p>\n Available on DVD.<\/a><\/p>\n <\/p>\n This is a film I first watched probably 1o years ago and was not impressed. However, the copy I had was terrible and the diminished quality really affected my opinion. About a year ago, a really nice print became available for streaming on Netflix<\/a> and I gave it another viewing. This time around, I was absolutely engaged and ended up watching it twice within a few days. George Sanders is delightfully evil as he sleeps his way up through Parisian society and Ann is stunning as the intelligent and progressive Madeleine Forestier. Additionally, the set designs are striking and the costumes gorgeous.<\/p>\n Available for streaming on Netflix <\/a>and Amazon<\/a>.<\/p>\n *November 2017 Update* This film is now available for purchase via Olive Films. <\/a><\/p>\n This 1950 Allied Artists production was Ann’s penultimate performance and her personal favorite. Based on the real life exploits of “Manila Mata Hari” Clarie Phillips, it’s probably the most substantial part of Ann’s career in terms of screen time. I am not overwhelming bowled over by this film and wish one of the bigger studios would have produced it. However, if that were the case Ann probably would have not gotten the part. The first time I watch this film was before I became a mother and the second time was after. During that second viewing, I could not help but notice how passionately Ann acted opposite her onscreen husband, Douglas Kennedy, but how indifferent she seemed to be towards Nadine Ashdown as her young daughter. This was something that really bothered me that second time around as I could not fathom a mother getting separated from her child and being rather unaffected. Weird analysis? Probably.<\/p>\n Despite any misgivings I may have about I Was an American Spy<\/strong>, it’s still a significant film in the career of Ann Dvorak and worth watching.<\/p>\n Available on DVD.<\/a><\/p>\n <\/p>\n![\"\"](\"https:\/\/www.anndvorak.com\/cms\/Filmography\/Blind%20Alley%20(1939)\/Alley3.jpg\")
<\/a><\/p>\nGirls of the Road<\/h4>\n
![\"\"](\"https:\/\/www.anndvorak.com\/cms\/Filmography\/Girls%20of%20the%20Road%20(1940)\/Girls4.jpg\")
<\/a><\/p>\nFlame of Barbary Coast<\/h4>\n
![\"\"](\"https:\/\/www.anndvorak.com\/cms\/Filmography\/Flame%20of%20Barbary%20Coast%20(1945)\/Flame5.jpg\")
<\/a><\/p>\nPrivate Affairs of Bel Ami<\/h4>\n
![\"\"](\"https:\/\/www.anndvorak.com\/cms\/Filmography\/Private%20Affairs%20of%20Bel%20Ami%20(1947)\/BelAmi6.jpg\")
<\/a><\/p>\nI Was an American Spy<\/h4>\n
![\"\"](\"https:\/\/www.anndvorak.com\/cms\/Filmography\/I%20Was%20An%20American%20Spy%20(1950)\/Spy10.jpg\")
<\/a><\/p>\nHonorable Mention – A Life of Her Own<\/h4>\n
![\"\"](\"https:\/\/www.anndvorak.com\/cms\/Filmography\/Life%20of%20Her%20Own%20(1950)\/Lana5.jpg\")
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