Search Results for: heat lightning

The Book

Book Cover

“Rice is a superb writer with just the right touch—not too heavy, not too light. We really get to know Ann Dvorak.”– Eve Golden, author of John Gilbert: The Last of the Silent Film Stars

Possessing a unique beauty and refined acting skills, Ann Dvorak (1911–1979) found success in Hollywood at a time when many actors were still struggling to adapt to the era of talkies. Seemingly destined for A-list fame, critics touted her as “Hollywood’s New Cinderella” after film mogul Howard Hughes cast her as Cesca in the gangster film Scarface (1932). Dvorak’s journey to superstardom was derailed when she walked out on her contractual obligations to Warner Bros. for an extended honeymoon. Later, she initiated a legal dispute over her contract, an action that was unprecedented at a time when studios exercised complete control over actors’ careers.

As the first full-length biography of an often-overlooked actress, Ann Dvorak: Hollywood’s Forgotten Rebel explores the life and career of one of the first individuals who dared to challenge the studio system that ruled Tinseltown. The actress reached her pinnacle during the early 1930s, when the film industry was relatively uncensored and free to produce movies with more daring storylines. She played several female leads in films including The Strange Love of Molly Louvain (1932), and Three on a Match (1932), and Heat Lightning (1934), but after her walk-out, Warner Bros retaliated by casting her in less significant roles.

Following the casting conflicts and illness, Dvorak filed a lawsuit against the Warner Bros. studio, setting a precedent for other stars who eventually rebelled against the established Hollywood system. In this insightful memoir, Christina Rice explores the spirited rebellion of a talented actress whose promising career fell victim to the studio empire.

Ann Dvorak: Hollywood’s Forgotten Rebel is now available from University Press of Kentucky.

For media inquiries, please contact Cameron Ludwick at the University Press of Kentucky: cameron.ludwick@uky.edu

1930s

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Scarface (1932) Sky Devils (1932)  The Crowd Roars (1932) 
 The Strange Love of Molly Louvain (1932)  Love is a Racket (1932)  Crooner (1932) 
 Stranger In Town (1932)  Three on a Match  (1932)  College Coach (1933)
 The Way to Love (1933)   Massacre (1934) Heat Lightning (1934)
 Midnight Alibi (1934)  Friends of Mr. Sweeney (1934) Housewife (1934) 
Side Streets (1934) Murder in the Clouds (1934)  I Sell Anything (1934) 
   
Gentlemen Are Born (1934)  A Trip Thru a Hollywood Studio (1935 Short) Sweet Music (1935) 
“G” Men (1935)  Dr. Socrates (1935) Thanks a Million (1935) 
Bright Lights (1935) We Who Are About to Die (1937) Racing Lady (1937) 
     
Midnight Court (1937)  The Case of the Stuttering Bishop (1937) She’s No Lady (1937)
   
Manhattan Merry-Go-Round (1937) Gangs of New York (1938) Merrily We Live (1938)
 
Stronger Than Desire (1939)  Blind Alley (1939)   

Collecting on Ann Dvorak: A Year End Review

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A friend of mine has been working on a book about Maria Montez for eons (though I still think it’s taking him less time than I took on Ann Dvorak). Like me, he also collects vintage movie memorabilia on his subject and has amassed a decent collection. Recently, he asked if I stopped collecting on Ann Dvorak once the book was done. The answer was a resounding NO! I’ve been a collector since birth and always will be. It’s just in my blood whether I like it or not. Sometimes, when I look at my cluttered home, I wish I didn’t collect, but then I acknowledge how cool my stuff is and get over it.

I will admit to scaling back on the Ann Dvorak collecting the past few years, but this had been more about becoming a parent and having to shift my financial priorities, rather than completing the Ann Dvorak biography. Also, after collecting on Ann for seventeen years, there does not seem to be much stuff floating around that I do not already own. Still, 2014 turned out to be a pretty good year for Ann Dvorak memorabilia. Most if it came in the form of photos, but considering I have over 2,500 original pics of our dear Ann, I was actually surprised at some of my cool finds this year. And so, here are some of the highlights from 2014.

Mine at Last

The portrait at the top of this post, and the majorette photo below are ones that have come up on eBay multiple times over the years and I have always been outbid! Finally, I nabbed them both in 2014. I am guessing the portrait, by Warner Bros photographer Scotty Welbourne, is just so darn pretty that it has had mass appeal. Anything remotely cheesecake is always popular regardless of the actress, which is why I have had to battle for this one over the years.

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Brunette Molly Louvain

The Strange Love of Molly Louvain has always been a personal favorite of mine because it’s one of the few films where Ann is the bonafide star. I am especially partial to the first part of the film when she shares scenes with Leslie Fenton, who she was in the process of falling madly in love with. Most scene stills I have found come from the second half of the film when she is wearing a bad blonde wig, so I am always jazzed to find Molly Louvain images with her natural hair. I recently scored these two with co-star Richard Cromwell.

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Warner Bros. Goodies

To know me is to know I love Heat Lightning. In fact, I love this Warner Bros. pre-Code so much that I will collect pieces from it that Ann’s not even on! Still, it’s oh so sweet to come across stunners with Ann,  like this pic of her and co-star Aline MacMahon.  I am less enthralled with Housewife, co-starring Bette Davis, but isn’t this portrait of housewife Ann with George Brent stunning??

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Ann Land

I am always excited to find photos of Ann at her Encino ranch house, which is where I was married in 2007. I came across this lovely photo in a newspaper around eight years ago and was thrilled to finally locate a print.

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The find was somewhat bittersweet though. As you can see from the above 2008 photo that even though the patio had been enclosed at some point, it was otherwise virtually untouched, down to the light fixture. However, the wall and picture window were taken down in 2014 in order to expand the dining room. At least we have these photographic remembrances!

Candid Ann

If I had found this photo of Ann and Leslie Fenton at the U.S. Experiment Station for sugar cane in Hawaii two years ago, it would have gone into Ann Dvorak: Hollywood’s Forgotten Rebel. Ann and Leslie had spent the 1934 Christmas holiday on a quick trip to Hawaii, and the impression it left on Ann was deep enough that she relocated to the islands 25 years later. I actually posted a similar photo on this site, as it ran in a newspaper, so it’s great to have an actual print.

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Getting Personal

A couple of weeks back, I wrote about acquiring the remaining items from Ann’s storage unit that had been sitting at a North Shore antique shop. Those photos were not the only Ann Dvorak personally owned images in 2014. As some of you may recall, in 2013, just as the book was being prepared for publication, I was contacted by someone who had some of Ann’s stuff. You can read about that adventure here, but the main takeaway from that negotiation was Ann’s scrapbook from her 1932/33 honeymoon (which can now be purchased in book form). Well, I was recently contacted by the same person about items that didn’t make it into the first batch and managed to secure those. This bunch mainly consisted of more scrapbook pages and family photos of people I cannot identify. For me, the most interesting piece is this one of Leslie Fenton, circa 1941 in his Royal Navy uniform. On the back, Ann wrote “Just a snap darling – will send more soon. You must see him in his coat etc. Love xx oo.”

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My guess is that this was either sent to Ann’s mom, Anna Lehr or Leslie’s mom. What’s interesting about this snapshot is that it is laminated. Many of the photos from the storage until are also laminated so I am wondering if this was something Ann did to protect the photos from the damp Hawaiian air. If so, I find it fascinating that she would preserve a photo of  Leslie Fenton decades after divorcing him.

Chorus Cutie

I always get a cheap thrill out of finding items from Ann’s MGM chorus girl days. Up until now I had only found one photo with Ann from the 1930 William Haines flick Way out West, and that pic her face is not visible. I was thrilled to find this little gem with a sassy Ann all the way over on the left. This isn’t the first time I have seen this photo though, since it was used on sheet music for the film.

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This lobby card from Lord Byron of Broadway might be my favorite piece of the year. To find photos of Ann among the chorus is one thing, but a lobby card is a whole other ball game!

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Just in case you don’t spot Ann on the left side, here’s a closer look.

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There are certainly other things I picked up during the year, but I think this pretty well conveys that even though the book has been out for over a year now, I am by no means finished with Ann Dvorak.

Happy New Year!

The Book

Book Cover

“Rice is a superb writer with just the right touch—not too heavy, not too light. We really get to know Ann Dvorak.”– Eve Golden, author of John Gilbert: The Last of the Silent Film Stars

Possessing a unique beauty and refined acting skills, Ann Dvorak (1911–1979) found success in Hollywood at a time when many actors were still struggling to adapt to the era of talkies. Seemingly destined for A-list fame, critics touted her as “Hollywood’s New Cinderella” after film mogul Howard Hughes cast her as Cesca in the gangster film Scarface (1932). Dvorak’s journey to superstardom was derailed when she walked out on her contractual obligations to Warner Bros. for an extended honeymoon. Later, she initiated a legal dispute over her contract, an action that was unprecedented at a time when studios exercised complete control over actors’ careers.

As the first full-length biography of an often-overlooked actress, Ann Dvorak: Hollywood’s Forgotten Rebel explores the life and career of one of the first individuals who dared to challenge the studio system that ruled Tinseltown. The actress reached her pinnacle during the early 1930s, when the film industry was relatively uncensored and free to produce movies with more daring storylines. She played several female leads in films including The Strange Love of Molly Louvain (1932), and Three on a Match (1932), and Heat Lightning (1934), but after her walk-out, Warner Bros retaliated by casting her in less significant roles.

Following the casting conflicts and illness, Dvorak filed a lawsuit against the Warner Bros. studio, setting a precedent for other stars who eventually rebelled against the established Hollywood system. In this insightful memoir, Christina Rice explores the spirited rebellion of a talented actress whose promising career fell victim to the studio empire.

Ann Dvorak: Hollywood’s Forgotten Rebel is now available from University Press of Kentucky.

For media inquiries, please contact Cameron Ludwick at the University Press of Kentucky: cameron.ludwick@uky.edu

Ann Dvorak pre-Code Recommendations

Year of Ann Dvorak: Day 11

When it comes to Ann Dvorak, there are two questions I get asked the most. The first is, “Why Ann Dvorak?” and the other is, “What’s your favorite AD film?” Ann made over 50 films in her career, and many of them left a lot to be desired, but there are a few shining gems that in my humble opinion are worth more than one viewing.

Once I drew up the list, I realized they were all from the pre-Code era. Since I don’t want to neglect her later work, I give you these early 1930s gems and will do a separate post for the, um, post-pre-Code films.

Course on Ann Dvorak to Be Offered in Chicago

I can hardly believe it myself, but a six-week course on Ann Dvorak is going to be offered at Facets Film College in Chicago. The class, titled “Ann Dvorak: Pre-Code Hollywood’s Forgotten Rebel,” will be taught by historian Doug Deuchler and run from November 14-December 19. He will be screening six of Ann’s titles; Scarface, The Strange Love of Molly Louvain, Three on a Match, Housewife, Heat Lightning, and Side Streets. For people taking the class who are not familiar with Ann’s work, this should be one hell of an introduction.

If you would have told me 15 years ago, when I first conceived of writing Ann’s biography, that a college-level course would be offered on her, I would have laughed in disbelief. Actually, if you would have told me this a few months ago, I would still have a hard time believing it. This only goes to show how prevalent Ann has become over he past few years and that a full length book on her may actually have a market.  I think she would be thrilled to know this much attention is being paid to her films.

Being a West Coast girl, I unfortunately will not be able to attend this landmark class. But for those of you residing in the Windy City, you have no excuse!

 

Pre-Code Dvorak Goodies at NYC’s Film Forum

I was born and raised in Southern California, and while I sometimes have a love/hate relationship with Los Angeles, I usually can’t imagine myself living anywhere else. Occasionally, I wish I could live in New York City, and that desire usually coincides with what’s playing at the Film Forum theater. On July 15th, they will be launching four glorious weeks of Pre-Code programming and every print will be 35mm. There are four Ann Dvorak films being screened, which are:

Scarface: July 23-25

The Strange Love of Molly Lovain: August 3

Three on a Match: August 4

Heat Lightning: August 9 (same day as TCM’s Summer Under the Stars tribute)

There are also plenty of non-Dvorak goodies being screened, so if you live in the area, please indulge and let me envy you!

Full “Essential Pre-Code” schedule is here.

 

Ann Dvorak DVDs from Warner Archive, a Rundown

I recently received a very nice email from a gal who commented that this site made her aware of some Ann Dvorak, Warner Archive releases she didn’t know about. Since so many of Ann’s films have been made available through the Warner Archive, though she is not always credited in the descriptions, I thought I would do a quick recap.

Before we begin, I just wanted to express how amazing the Warner Archive is. I’ve seen some snarky comments around the Web about the bare bones DVD-Rs being a rip-off at $20 a shot. All I know is that I was in the process of booking a $500 (yes, $5-0-0) screening of I Was an American Spy at the Warner Bros lot in Burbank when the Warner Archive made it one of its inaugural titles. Compared to what I was willing to pay, $20 seems like a steal and I’m sure a lot of other film fanatics have had similar experiences with hard-to-find titles. Besides, they have so many sales and promotions that I seldom have to pay the full amount.

Without further ado, here is a list of Warner Archive Divine Dvorak DVDs with descriptions that focus on Ann’s role rather than the plot of the film as a whole:

The Strange Love of Molly Louvain (1932, Warner Bros)  – Ann’s bad taste in men leaves her with a kid out of wedlock (who has a British accent), a potential wrap sheet, and a bad blonde wig.

Stranger in Town (1932, Warner Bros) – Ann is torn between her loyalty for her grandfather (Chic Sale) and her devotion to her new squeeze (David Manners) who have competing markets in the same small town.

College Coach (1933, Warner Bros) – Neglected by her college football coach husband (Pat O’Brien), Ann casts a wandering eye on one of the team’s  players (Lyle Talbot).

Heat Lightning (1934, Warner Bros) – When Ann is stifled by her desert surroundings and overprotective older sister (the always awesome Aline MacMahon), she makes some poor decisions that leave her unlucky in love.

Midnight Alibi (1934, Warner Bros) – Gangster Richard Barthelmess gets on a rival’s super bad side by falling for his kid sister (Ann-D). Can love really conquer all?

Side Streets (1934 Warner Bros) – Ann finds herself with a child out of wedlock from a scoundrel (Paul Kelly) who is already married to (the always fabulous) Aline MacMahon.

Stronger Than Desire (1939, M-G-M) – Directed by then husband Leslie Fenton, Ann looks stunning as she is accused of a murder she may or may not have committed. Highlights are an under-oath break-down, and courtroom fake faint as commanded by attorney Walter Pidgeon.

I Was an American Spy (1951, Allied Artists) – See Ann thwart the Axis powers in the Philippines, kind of do a fan dance, and sing “Because of You” before being captured and tortured by Japanese forces in this film based on the true story of Claire Phillips.

For those of you who are die-hard Dvorak devotes, the following releases feature Ann as a chorus girl or extra:

Hollywood Revue of 1929 (1929, M-G-M) – It’s all talking, all singing, all dancing, all Ann Dvorak! Well, not really, but she is in this one a lot as the chorus is featured in the bulk of the numbers. She also utters her first onscreen words, “pardon me,” to Jack Benny and slaps him.

It’s a Great Life (1929, M-G-M) – See Ann take front-and-center and dance her little heart out to the “Hoosier Hop,” a number she supposedly choreographed.

Chasing Rainbows (1930, M-G-M) – Ann’s very visible in an early backstage scene, but a big musical number at the end is missing and supplemented with scene stills.

So This is College (1929, M-G-M) – Ann is young (seventeen), sans make-up,  and her eyebrows have never seen tweezers in this early talkie. She is quite visible in a couple of scenes.

Lord Byron of Broadway (1930, M-G-M) – Ann pops up in the “Old Woman in a Shoe” number.

Politics (1931, M-G-M) – Ann can be seen in the crowd at a political rally in this early pro-feminist comedy starring Marie Dressler and Polly Moran.

This Modern Age (1931, M-G-M) – Ann dances and party crashes in this Joan Crawford drama.

Love in the Rough (1930, M-G-M) – This one is only for the Ann Dvorak completest (which may just be me), as the musical number she is in was cut out.

That’s it for now. Hopefully we’ll be seeing The Crowd Roars, Housewife, and Massacre from the Warner Archive in the near future.

“College Coach” on DVD

This week, the Warner Archive releases another 1930s Ann Dvorak feature on DVD. College Coach co-stars Dick Powell, Pat O’Brien, Lyle Talbot, and contains a brief walk-on by a then little-known actor named John Wayne.

I talked a bit more in-depth about College Coach on a previous post which can be viewed here.

This makes three 1930s Dvorak films to be released by the Warner Archive in less than a month. Looking forward to what else they have in the works, especially if it’s Heat Lightning.


“Murder in the Clouds” on TCM

Murder in the Clouds is going to air on Turner Classic Movies on Tuesday, May 11th  at  11:30am PST.

1934 was the most prolific year of Ann Dvorak’s film career, in quantity if not always in quality. In the nine films released that year by Warner Bros, Ann mainly found herself in supporting roles and frequently as the devoted leading lady to the star of the film. Murder in the Clouds is just that with Ann playing faithful to Lyle Talbot, though at least in this film she gets to be a kidnap victim and uses her wiles to get rescued.

This hour long aviation drama with a Dore Schary story credit is not as strong as other 1934 offerings like Massacre and Heat Lightning, but is still more watchable than titles like I Sell Anything and Gentlemen Are Born. For some reason, it was the only 1934 Dvorak title readily available on DVD, until the Warner Archive recently released Midnight Alibi.

Images Courtesty of Heritage Auction Galleries

On a side note, the one-sheet for Murder in the Clouds is the most expensive Ann Dvorak poster I own. I can only guess that an airplane fanatic tried to outbid me on this one, unless there’s a Lyle Talbot devotee out there who’s passion matches mine for Ann-D.

Enjoy!